Claes Oldenburg was born in Stockholm, Sweden, in 1929. With a prolific career spanning over fifty years, Claes Oldenburg has made a radical contribution to the history of sculpture by rethinking its materials, forms, and subject matter. 5 1/2 x 6 1/2 x 2 1/4 inches (14 x 16.5 x 5.7 cm) In this initial design, the tube floats above the paste, which cascaded out of it like unfurled drapery. This exhibition is devoted to Oldenburg’s soft sculptures, a body of work that he began developing in 1962. Many of his works were made in collaboration with his wife, Coosje van Bruggen, who died in 2009; they had been married for 32 years. Many of his works were made in collaboration with his wife, Coosje van Bruggen, who died in 2009; they had been married for 32 years. Exhibitions. (261.6 x 68.9 x 50.8 cm.) The work masterfully combines connotations of eroticism with a reflection on sculpture and the human body throughout art history, while also invoking cross-media associations with painting and tubes of paint. [7] This same final form was also used for a small-scale version of Tube Supported by its Contents dated 1983, produced in an edition of three. [5], Over the course of the late 1970s and early 1980s, Oldenburg embarked on a series of models of, Düsseldorf, in 1985, and published a catalogue for the work that same year. In this vibrant drawing, the piece is integrated in a park-like landscape and enlarged to monumental scale. Oldenburg’s earliest work on the theme, the masterful Giant Toothpaste Tube, was included in Oldenburg’s first one-person exhibition at the Sidney Janis Gallery in 1964 as part of a collection of large-scale objects from the home. Oct 24, 2019 - Explore Annie Whitten's board "Claes oldenburg sculptures", followed by 369 people on Pinterest. Encuentra fotos de stock perfectas e imágenes editoriales de noticias sobre Claes Oldenburg en Getty Images. Claes Oldenburg. Available for sale from Upsilon Gallery, Claes Oldenburg, Apple Core - Autumn (1990), Lithograph in colors, 41 × 31 1/4 in At that point, Oldenburg had hit upon the final shape of the work: larger, knot-like coils of paste, approximately human size, with a shorter tube pitched diagonally above, as shown in the above Scale Study for Tube Supported by its Contents. Chronology of Large-Scale Projects by Claes Oldenburg and Coosje van Bruggen Unless otherwise stated, dimensions are given as height x width x depth. Images and Permissions. Executed in 1976. Chronology of Large-Scale Projects by Claes Oldenburg and Coosje van Bruggen Unless otherwise stated, dimensions are given as height x width x depth. In his early career, Claes Oldenburg worked with soft sculpture and performance art, but became renowned for … Claes Oldenburg (EE.UU, nacido en Suecia, 1929) Floor Burger. Claes Oldenburg (b. Editions and David Platzker on the occasion of Oldenburg’s exhibition “The Geometric Mouse” at Susan Inglett Gallery December 1994. Schmela installed the work in Lantz’scher Park, Düsseldorf, in 1985, and published a catalogue for the work that same year. Signed lower right and numbered lower left in graphite His large-scale sculpture, often presented in public spaces or made of soft or industria materials, exemplify the satirical and everyday qualities of Pop Art. In his early career, Claes Oldenburg worked with soft sculpture and performance art, but became renowned for … It provides details of Oldenburg’s first uptown New York exhibition held at the Green Gallery from September to October 1962. Claes Oldenburg is a Swedish-born American sculptor known for his innovative and humorous reconstructions of everyday objects in both large-scale public installations and soft materials. 1962. Biografía del artista All works by both artists except in two cases, where indicated with * *Lipstick (Ascending) on Caterpillar Tracks, 1969-74 Cor-Ten steel, steel, aluminum, cast resin; painted with polyurethane enamel (22.8 x 63.5 x 40.6 cm.) In this vibrant drawing, the piece is integrated in a park-like landscape and enlarged to monumental scale. The enigmatic inscription “Note –, projects = myself ” at the bottom tantalizingly establishes, works as representations of himself—as an artist who “takes off his cap and oozes out his content” [4] — and those contents supporting him. Oldenburg: tube Supported by its Contents as a self-portrait “ the Geometric ”! 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